Lucknow, Uttar Pradesh: On the first death anniversary of the legendary Kathak maestro Pandit Birju Maharaj, a wave of remembrance swept through the cultural and political circles. Chief Minister Yogi Adityanath led the tributes, honoring the maestro’s unparalleled contributions to Indian classical dance.
Pandit Birju Maharaj, whose real name was Brijmohan Nath Mishra, breathed his last on January 15, 2022, at the age of 83. Revered as the torchbearer of the Lucknow Gharana of Kathak, his demise left a void in the world of performing arts that remains unfilled.
CM Yogi Adityanath, in a heartfelt message, described Birju Maharaj as the ‘pride of Uttar Pradesh’ and a global ambassador of Indian culture. ‘His mesmerizing footwork and expressive abhinaya will continue to inspire generations,’ the CM posted on social media.
Deputy Chief Minister Keshav Prasad Maurya echoed similar sentiments, calling him ‘the soul of Kathak.’ Several other prominent leaders, including Union Ministers and state officials, joined in paying floral tributes at memorials dedicated to the maestro.
Birju Maharaj’s legacy extends far beyond the stage. Trained under his illustrious uncles, Achhan Maharaj and Shambhu Maharaj, he revolutionized Kathak with innovative choreography and soul-stirring compositions. His iconic thumris and taranas became synonymous with the purity of Lucknow Gharana.
The maestro’s Bollywood forays, including unforgettable performances in films like ‘Mughal-e-Azam’ and ‘Devdas,’ brought Kathak to millions. His Padma Vibhushan award and global recognition underscored his stature as a cultural icon.
Cultural institutions across the state organized special Kathak performances and memorial lectures. The Kathak Kendra in Delhi hosted a grand evening featuring disciples who carried forward his guru-shishya parampara.
As the nation remembers Birju Maharaj, discussions on preserving classical arts gain renewed urgency. Government initiatives to promote traditional dance forms stand as fitting tributes to his lifelong dedication.
The maestro’s footwork may have stilled, but the rhythms he created continue to resonate in every taal and every tukda performed by aspiring dancers worldwide.