By means of Related Press
Are all you women, gays and theys available in the market feeling a little bit bored stiff? Perhaps greater than a little bit? Ashnikko is, too.
The blue-haired singer-songwriter, rapper and manufacturer born Ashton Nicole Casey, who rose to repute along with her 2019 TikTok-viral hit “STUPID”, is understood by means of her rising fanbase for filter-less anthems of empowerment and sexual liberation.
The artist, who makes use of the pronouns she they usually, evolves from her demidevil adjust ego right into a dystopian fable international fairy creature on her debut studio album, the concept that file “WEEDKILLER.”
This delightfully darkish 13-track full-length is female rage unleashed within the magical universe created by means of Ashnikko, as observed in her full-realized track movies and heard at the album’s first music, “Global Eater.”
Within the eerie opener, Ashnikko embodies a ruthless cyborg in a post-apocalyptic barren region the place the enemies are machines.
She will get gross and gory with following tracks “You Make Me Unwell” and “Worms,” then horny and saucy with “Tremendous Soaker (feat. Daniela Lalita)” and “Don’t Take a look at It.”
This album is slimy and rotten, bratty and feral — in the entire best possible tactics, after all. It’s a reclamation of physically autonomy and femininity that embraces mess and spits within the face of gender expectancies.
The climax of the narrative is undoubtably the album’s namesake “WEEDKILLER.” The accompanying track video presentations a last boss struggle between Ashnikko and a biomatter-eating mech, a metaphor for environmental destruction. The music ends, and Ashnikko is victorious. She stabs the defeated bot many times, shrieking the entire whilst.
After letting all of it out, Ashnikko finish the album with an incredibly smooth music. “Death Megastar (feat. Ethel Cain)” yearns for someplace comfortable and secure to land.
“I’m uninterested in the filth and grit,” Ashnikko croons. “I would like one thing comfortable.”
The music is a heart-wrenching finale to the tale Ashnikko tells in “WEEDKILLER,” and it’s a wonderful finish to an epic album.
Are all you women, gays and theys available in the market feeling a little bit bored stiff? Perhaps greater than a little bit? Ashnikko is, too.
The blue-haired singer-songwriter, rapper and manufacturer born Ashton Nicole Casey, who rose to repute along with her 2019 TikTok-viral hit “STUPID”, is understood by means of her rising fanbase for filter-less anthems of empowerment and sexual liberation.
The artist, who makes use of the pronouns she they usually, evolves from her demidevil adjust ego right into a dystopian fable international fairy creature on her debut studio album, the concept that file “WEEDKILLER.”googletag.cmd.push(serve as() googletag.show(‘div-gpt-ad-8052921-2’); );
This delightfully darkish 13-track full-length is female rage unleashed within the magical universe created by means of Ashnikko, as observed in her full-realized track movies and heard at the album’s first music, “Global Eater.”
Within the eerie opener, Ashnikko embodies a ruthless cyborg in a post-apocalyptic barren region the place the enemies are machines.
She will get gross and gory with following tracks “You Make Me Unwell” and “Worms,” then horny and saucy with “Tremendous Soaker (feat. Daniela Lalita)” and “Don’t Take a look at It.”
This album is slimy and rotten, bratty and feral — in the entire best possible tactics, after all. It’s a reclamation of physically autonomy and femininity that embraces mess and spits within the face of gender expectancies.
The climax of the narrative is undoubtably the album’s namesake “WEEDKILLER.” The accompanying track video presentations a last boss struggle between Ashnikko and a biomatter-eating mech, a metaphor for environmental destruction. The music ends, and Ashnikko is victorious. She stabs the defeated bot many times, shrieking the entire whilst.
After letting all of it out, Ashnikko finish the album with an incredibly smooth music. “Death Megastar (feat. Ethel Cain)” yearns for someplace comfortable and secure to land.
“I’m uninterested in the filth and grit,” Ashnikko croons. “I would like one thing comfortable.”
The music is a heart-wrenching finale to the tale Ashnikko tells in “WEEDKILLER,” and it’s a wonderful finish to an epic album.
