Actress Smrity Sinha, who has worked in both Bhojpuri and Marathi cinema, has offered a comparative analysis of the two film industries. Having established herself in Bhojpuri cinema, Sinha’s experience in Marathi films provides her with a unique vantage point to discuss the nuances of each industry. In a recent interview, she discussed her observations regarding the working styles, promotional strategies, and overall dynamics of Bhojpuri and Marathi filmmaking.
Sinha highlighted a key difference: the collaborative approach in Marathi cinema, where the entire cast is involved from the beginning to the end of the film’s lifecycle, including promotion. She contrasted this with the common practice in some other industries, where the focus often shifts to lead actors during promotional periods. She emphasized the confidence of Marathi actors in speaking their language, even during promotional events, in contrast to the hesitation sometimes seen in the Bhojpuri film industry.
Sinha stressed the importance of unity and collaboration within the Marathi film industry, which she believes contributes to its success. She contrasted this with some observations in the Bhojpuri industry, where she felt there was a lack of unity and, in some instances, an attitude of self-importance among actors. She believes that for the Bhojpuri film industry to achieve broader appeal, it must cultivate a different approach that fosters greater unity and professionalism. She noted the use of workshops as a positive practice in Marathi films, involving both experienced and new actors.
