Mumbai, February 26: Renowned director Sudipto Sen has ignited a fierce debate over the Central Board of Film Certification’s (CBFC) practices, questioning why films like ‘Animal’ and ‘Dhurandhar’ receive swift approvals while his upcoming thriller ‘Charak: Fair of Faith’ endures prolonged scrutiny from the review committee.
Sen’s sharp critique highlights what he perceives as blatant double standards within the government’s film certification process. ‘This isn’t the first time we’re raising our voice against such discrimination,’ Sen stated emphatically. ‘Since 2013-2014, we’ve consistently flagged these biases on various platforms. Films brimming with violence, aggression, and controversial scenes sail through without a hitch, but those daring to probe social, religious, and cultural issues face endless examinations.’
Labeling it a systemic flaw, Sen drew parallels to past struggles, including the tumultuous certification battle for ‘The Kerala Story.’ ‘We can only amplify our voices and keep questioning. Struggle is our reality,’ he added.
‘Charak: Fair of Faith,’ directed by Shiladitya Moulik and produced by Sen, delves into a gripping rural Indian folktale thriller. Set against the backdrop of pervasive superstitions, tantric rituals, and harsh religious practices in remote villages, the film exposes illegal and inhumane activities conducted under the guise of faith.
Certain scenes and themes in the movie raised red flags for the censor board, leading to its referral to the review committee instead of outright certification. Sen defends the project vigorously: ‘Our film doesn’t mock any religion or belief. It challenges wrongful, unlawful acts perpetrated in the name of faith. Cinema’s duty is to illuminate society’s violent or inhuman customs.’
As the review process drags on, Sen’s allegations underscore broader concerns about artistic freedom and selective censorship in Indian cinema. Will ‘Charak’ overcome these hurdles, or does this signal deeper issues in content regulation? The industry watches closely.