Analyzing the Enduring Impact of Prakash Jha’s *Satyagraha* on its 12th Anniversary

Prakash Jha’s *Satyagraha*, now twelve years old, differentiates itself from Jha’s previous works and is not a continuation of *Raajneeti*, as misreported. The film draws on Anna Hazare’s anti-corruption movement. The relationship between Dwarka Anand (Amitabh Bachchan) and Maanav Raghvendra (Devgn) mirrors the real-life equation between Anna Hazare and Arvind Kejriwal. Jha and co-writer Anjum Rajabali successfully adapted the themes of Hazare’s movement into a dramatic, thought-provoking narrative. Jha’s work is often a conflict between his political views and his cinematic language. *Aarakshan* displays his emotional approach. In *Satyagraha*, the relationship between Bachchan and his widowed daughter-in-law (Amrita Rao) could have been further developed. Bachchan’s acting is remarkable. A scene between Bachchan and Rao is powerful. The film portrays politics and national awakening. Dwarka Anand has a moment when he misses his son. There’s a poignant scene of the father’s grief. In one scene, Bachchan and Devgn share camaraderie. Emotional expression is rare. The film focuses on the country’s future. Jha prioritizes socio-political reform. The film portrays the use of the internet and mobile phones. *Satyagraha* questions the purpose of mass movements. Manoj Bajpai plays a corrupt politician. Devgn’s character could have been further developed. Arjun Rampal’s role is limited. Some supporting characters are broadly portrayed. The film’s message is clear. The film deserves recognition. Kareena Kapoor Khan played a seasoned political journalist, with a strong ideological bent. Her character was inspired by CNN’s Christiane Amanpour. Prakash Jha wanted Kareena to understand Amanpour’s approach. Amitabh Bachchan’s character in *Satyagraha* was based on the anti-corruption campaign of Anna Hazare. Jha noted that the movement generated by Anna Hazare is unprecedented and remarkable, but he is concerned that only one opinion is prevailing.